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["Sam & Joe HerrmannJoe Herrmann (b.1949) and Sam Herrmann (b. 1949), both Maryland natives, are traditional musicians who play together as part of Critton Hollow String Band. They have been a couple since the mid-1970s when they moved to Hampshire County, West Virginia. Joe is a fiddle and banjo player, and Sam is a guitar and hammer dulcimer player. Sam is also a knitter, hand yarn spinner, and owns the knitting kit company Samspun. They live on a piece of land in Paw Paw, WV where they keep sheep."]
["Joe Herrmann (b.1949) and Sam Herrmann (b. 1949), both Maryland natives, are traditional musicians who play together as part of Critton Hollow String Band. They have been a couple since the mid-1970s when they moved to Hampshire County, West Virginia. Joe is a fiddle and banjo player, and Sam is a guitar and hammer dulcimer player. Sam is also a knitter, hand yarn spinner, and owns the knitting kit company Samspun. They live on a piece of land in Paw Paw, WV where they keep sheep."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["The Opossum Hollow String Band is composed of guitarists Keith Long and Martha Cordray, mandolin player Joe Cordray, and banjo player Jimmy Robbins.Learn more about the Pickens Maple Syrup Festival here: http://pickenswv.squarespace.com/maple-syrup-festival/"]
["From the Mountain Music Trail: \"The Black Mountain Bluegrass Boys are among West Virginias longest-running bluegrass bands. The group first organized in 1968 around the foursome of Richard Hefner (banjo/tenor vocal), his brother Bill Hefner (guitar/mandolin/baritone vocal), their late uncle Glenn Dude Irvine (mandolin) and the late Harley Carpenter (guitar/lead vocal). They took their name from Black Mountain in their native Pocahontas County. For five years the group worked a weekly radio show on WVAR, in Richwood. They also made regular appearances at local events and regional bluegrass festivals. They recorded their first album in January 1971, Pure Old Bluegrass, and in the mid-1970s they followed up with a pair of albums: Million Lonely Days and Talk of the County. More recent albums include Black Mountain Bluegrass Boys 1968-1973, Live at Midnight, Live at The Opera House, and Live at Greenbrier Valley Theatre.As with many bluegrass bands, the Black Mountain Bluegrass Boys have had changes in personnel over the years. Richard Hefner remains as the lone original member. Hefners traditional bluegrass banjo playing and tenor vocals have contributed both continuity and much of the high lonesome sound for which the band has become so well-known. He has displayed his banjo skills many times as a victor in contests and at the Vandalia Festival. Chris Nickell from Monroe County, contributes driving lead and rhythm guitar work as well as lead vocals. Rick Carpenterson of founding member Harley Carpenterpicks a fine mandolin and sings lead and baritone vocals. Bass player Mike Smith, of Culloden, has worked with such notables as Larry Sparks, Dave Evans, and the Goins Brothers.\"Read more: https://mountainmusictrail.com/the-black-mountain-bluegrass-boys/"]
["From the Mountain Music Trail: \"The Black Mountain Bluegrass Boys are among West Virginias longest-running bluegrass bands. The group first organized in 1968 around the foursome of Richard Hefner (banjo/tenor vocal), his brother Bill Hefner (guitar/mandolin/baritone vocal), their late uncle Glenn Dude Irvine (mandolin) and the late Harley Carpenter (guitar/lead vocal). They took their name from Black Mountain in their native Pocahontas County. For five years the group worked a weekly radio show on WVAR, in Richwood. They also made regular appearances at local events and regional bluegrass festivals. They recorded their first album in January 1971, Pure Old Bluegrass, and in the mid-1970s they followed up with a pair of albums: Million Lonely Days and Talk of the County. More recent albums include Black Mountain Bluegrass Boys 1968-1973, Live at Midnight, Live at The Opera House, and Live at Greenbrier Valley Theatre.As with many bluegrass bands, the Black Mountain Bluegrass Boys have had changes in personnel over the years. Richard Hefner remains as the lone original member. Hefners traditional bluegrass banjo playing and tenor vocals have contributed both continuity and much of the high lonesome sound for which the band has become so well-known. He has displayed his banjo skills many times as a victor in contests and at the Vandalia Festival. Chris Nickell from Monroe County, contributes driving lead and rhythm guitar work as well as lead vocals. Rick Carpenterson of founding member Harley Carpenterpicks a fine mandolin and sings lead and baritone vocals. Bass player Mike Smith, of Culloden, has worked with such notables as Larry Sparks, Dave Evans, and the Goins Brothers.\"Read more: https://mountainmusictrail.com/the-black-mountain-bluegrass-boys/"]