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["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]

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["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]

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["Thomas Alan Cathead Johnston (b. 1952) is a bluegrass and country musician from McDowell County, WV. He is a former bassist in Mel Streets band The Swing Kings and his songs have been recorded by Del McCoury, Tommy Webb, and others."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Joe Herrman (master artist, b. 1949)  of Paw Paw in Hampshire County and Dakota Karper (apprentice, b. 1992) of Capon Bridge are participants in the 2020-2021 West Virginia Folklife Apprenticeship Program, studying old-time fiddle. Dakota Karper, a Hampshire County native, has been playing old-time fiddle for 20 years and runs The Cat and the Fiddle Music School. Herrmann and Karper apprenticed together previously in 2004 (when Karper was 11) through Augusta Heritage Centers former Apprenticeship Program.See the West Virginia Folklife Program feature on Herrmann and Karper: https://wvfolklife.org/2020/12/03/2020-folklife-apprenticeship-feature-joe-herrmann-dakota-karper-old-time-fiddle/"]

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["John D. Morris of Ivydale led an apprenticeship in old-time fiddle and stories of Clay County with Jen Iskow of Thomas as part of the 2018 West Virginia Folklife Apprenticeship Program, supported in part by the National Endowment for the Arts. John D. MorrisBorn in Ivydale, Clay County, into a family steeped in traditional music, David and John Morris learned from family and neighbors, including banjo player Jenes Cottrell and fiddler French Carpenter. After David returned from Vietnam in 1968, the brothers began organizing musical get-togethers and, in 1969, held the first Morris Family Old-Time Music Festival that same year. The festival became a major traditional music event in Clay County and filmmaker Bob Gates documented the 1972 festival in his film The Morris Family Old-Time Music Festival.Members of The Morris Brothers band included Pocahontas County old-time banjo player Dwight Diller and the late North Carolina harmonica player John Martin. Playing a mix of old-time, bluegrass, and country styles, including some of Davids original music, the group played together through the mid-70s, releasing an LP in the late 60s, Music As We Learned It, and two live shows on eight-track tapes. John, a traditional fiddler, and David, a singer, songwriter, and guitarist, were involved in union and environmental activities from the late 1960s through the 1970s. They were also instrumental in establishing the first Vandalia Gathering at the Cultural Center in 1977.The Morris Brothers music was featured in Barbara Kopples 1976 film Harlan County, USA. David, who passed away in 2016, contributed music to Kopples 2015 film about Vietnam vets, Shelter.John lives in Ivydale and plays fiddle at music events across West Virginia. He is a rich source of information about the history of old-time music in central West Virginia, and one of the few native fiddlers of his generation to continue the older style of playing.Morris was awarded the National Endowment for the Arts National Heritage Fellowship, the nations highest honor in the folk and traditional arts, in 2020.Jen IskowJen Iskow is an artist, designer, musician, and community organizer based in Thomas, West Virginia. Born and raised in Rockville, Maryland, Jen grew up learning to play blues and punk music. It wasnt until she moved to Morgantown in 2009 for college that she was introduced to old-time music at the weekly Brew Pub jam hosted by Stewed Mulligan. After graduating from West Virginia University, she finally settled in Elkins, West Virginia and accepted a position as the Marketing Coordinator for the Augusta Heritage Center. Suddenly being surrounded by so many talented traditional artists, Jen was immersed into the music and inspired to learn to play fiddle. After studying under talented fiddlers such as Scott Prouty, Erynn Marshall, Jesse Wells, Ben Townsend, John Harrod, and more, Jen met John Morris at his house in Ivydale, and the rest is historySee our feature on Morris apprenticeship with Iskow here: https://wvfolklife.org/2018/11/09/2018-master-artist-apprentice-feature-john-morris-jen-iskow-old-time-fiddling-and-stories-of-clay-county/"]