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You searched for: Location Charleston (W. Va.) Remove constraint Location: Charleston (W. Va.) Subject Old-time music Remove constraint Subject: Old-time music

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["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]

25. 2020 Folklife Apprenticeship participants in old-time banjo Kim Johnson and Cody Jordan in masks at the Craik-Patton House, 1 of 2

Identifier:
4224.JohnsonKimJordanCody.Photo.001.8.27.20
Title:
2020 Folklife Apprenticeship participants in old-time banjo Kim Johnson and Cody Jordan in masks at the Craik-Patton House, 1 of 2
Date:
2020-08-27
Creator:
Hilliard, Emily
Contributor:
Johnson, Kim (Banjoist) and Jordan, Cody
Subject:
Old-time music, Charleston (W. Va.), Apprenticeship programs, Banjo, Folk music--West Virginia, and Fiddle tunes
Location:
Charleston (W. Va.)
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]

26. 2020 Folklife Apprenticeship participants in old-time banjo Kim Johnson and Cody Jordan in masks at the Craik-Patton House, 2 of 2

Identifier:
4224.JohnsonKimJordanCody.Photo.002.8.27.20
Title:
2020 Folklife Apprenticeship participants in old-time banjo Kim Johnson and Cody Jordan in masks at the Craik-Patton House, 2 of 2
Date:
2020-08-27
Creator:
Hilliard, Emily
Contributor:
Johnson, Kim (Banjoist) and Jordan, Cody
Subject:
Old-time music, Banjo, Folk music--West Virginia, Fiddle tunes, and Apprenticeship programs
Location:
Charleston (W. Va.)
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]

27. Old-time banjo players Kim Johnson and Cody Jordan at the Craik-Patton House

Identifier:
4224.JohnsonKimJordanCody.Photo.003.8.27.20
Title:
Old-time banjo players Kim Johnson and Cody Jordan at the Craik-Patton House
Date:
2020-08-27
Creator:
Hilliard, Emily
Subject:
Folk music--West Virginia, Banjo, Johnson, Kim (Banjoist), Fiddle tunes, Old-time music, and Apprenticeship programs
Location:
Charleston (W. Va.)
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]

28. Banjo players Kim Johnson and Cody Jordan outside the log cabin at the Craik-Patton House

Identifier:
4224.JohnsonKimJordanCody.Photo.004.8.27.20
Title:
Banjo players Kim Johnson and Cody Jordan outside the log cabin at the Craik-Patton House
Date:
2020-08-27
Creator:
Hilliard, Emily
Contributor:
Jordan, Cody and Johnson, Kim (Banjoist)
Subject:
Banjo, Folk music--West Virginia, Fiddle tunes, Old-time music, and Apprenticeship programs
Location:
Charleston (W. Va.)
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]

29. Old-time banjo players Kim Johnson and Cody Jordan play under a tree at the Craik-Patton House in Charleston, 1 of 3

Identifier:
4224.JohnsonKimJordanCody.Photo.005.8.27.20
Title:
Old-time banjo players Kim Johnson and Cody Jordan play under a tree at the Craik-Patton House in Charleston, 1 of 3
Date:
2020-08-27
Creator:
Hilliard, Emily
Subject:
Folk music--West Virginia, Fiddle tunes, Old-time music, Banjo, Johnson, Kim (Banjoist), and Apprenticeship programs
Location:
Charleston (W. Va.)
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]

30. Old-time banjo players Kim Johnson and Cody Jordan play under a tree at the Craik-Patton House in Charleston, 2 of 3

Identifier:
4224.JohnsonKimJordanCody.Photo.006.8.27.20
Title:
Old-time banjo players Kim Johnson and Cody Jordan play under a tree at the Craik-Patton House in Charleston, 2 of 3
Date:
2020-08-27
Creator:
Hilliard, Emily
Subject:
Folk music--West Virginia, Johnson, Kim (Banjoist), Fiddling, Old-time music, Banjo, and Apprenticeship programs
Location:
Charleston (W. Va.)
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]

31. Old-time banjo players Kim Johnson and Cody Jordan play under a tree at the Craik-Patton House in Charleston, 3 of 3

Identifier:
4224.JohnsonKimJordanCody.Photo.007.8.27.20
Title:
Old-time banjo players Kim Johnson and Cody Jordan play under a tree at the Craik-Patton House in Charleston, 3 of 3
Date:
2020-08-27
Creator:
Hilliard, Emily
Subject:
Johnson, Kim (Banjoist), Old-time music, Banjo, Fiddle tunes, Apprenticeship programs, and Folk music--West Virginia
Location:
Charleston (W. Va.)
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]

32. Artist profile of Cody Jordan

Identifier:
4224.JordanCody.ArtistProfile.9.1.20
Title:
Artist profile of Cody Jordan
Date:
2020-09-01
Creator:
Jordan, Cody
Subject:
Fiddling, Folk music festivals, Old-time music, Banjo, Apprenticeship programs, Johnson, Kim (Banjoist), Fiddle tunes, and Folk music--West Virginia
Location:
Charleston (W. Va.) and Kanawha County (W. Va.)
["Phyllis Marks (June 5, 1927-June 22, 2019) was born Phyllis Mariam Frashure on June 5, 1927, in Sand Fork, Gilmer County, WV. According to folklorist Gerry Milnes, Marks was the last active ballad singer in the state who, as she says, learned by heart, via oral transmission, mainly from her mother and grandmother, both of Irish ancestry. Since 1954, Phyllis performed annually at the West Virginia State Folk Festival at Glenville. A fixture at the festival and in her community, the 2005 festival was dedicated to her.Marks was recorded in 1978 for the Library of Congress and has been featured in various books and radio programs. In 1997, she worked with Gerry Milnes to release the Augusta Heritage album Phyllis Marks: Old-Time Songs of West Virginia.In 2016, the West Virginia Folklife Program received a Henry Reed Fund Award from the American Folklife Center at the Library of Congress to host and record a concert with Marks at the West Virginia Humanities Council. Read more about that September 8, 2016 concert here: https://wvfolklife.org/2016/10/03/i-think-that-the-women-made-the-folk-songs-phyllis-marks-in-concert/Materials from that concert are available via the Library of Congress/American Folklife Center in the Emily Hilliard collection on West Virginia ballad singer Phyllis Marks: https://catalog.loc.gov/vwebv/search?searchCode=LCCN&searchArg=2017655418&searchType=1&permalink=yRead our tribute to Phyllis Marks on the West Virginia Folklife blog: https://wvfolklife.org/2019/07/02/a-tribute-to-ballad-singer-phyllis-marks-june-51927-june-22-2019/"]

33. Phyllis Marks at the West Virginia Humanities Council in Charleston

Identifier:
4224.MarksPhyllis.Photo.001.9.8.16
Title:
Phyllis Marks at the West Virginia Humanities Council in Charleston
Date:
2016-09-08
Creator:
Keller, Mike
Subject:
Old-time music, Irish Americans, Concerts, Ballads, and Folk music--West Virginia
Location:
Charleston (W. Va.)
["Phyllis Marks (June 5, 1927-June 22, 2019) was born Phyllis Mariam Frashure on June 5, 1927, in Sand Fork, Gilmer County, WV. According to folklorist Gerry Milnes, Marks was the last active ballad singer in the state who, as she says, learned by heart, via oral transmission, mainly from her mother and grandmother, both of Irish ancestry. Since 1954, Phyllis performed annually at the West Virginia State Folk Festival at Glenville. A fixture at the festival and in her community, the 2005 festival was dedicated to her.Marks was recorded in 1978 for the Library of Congress and has been featured in various books and radio programs. In 1997, she worked with Gerry Milnes to release the Augusta Heritage album Phyllis Marks: Old-Time Songs of West Virginia.In 2016, the West Virginia Folklife Program received a Henry Reed Fund Award from the American Folklife Center at the Library of Congress to host and record a concert with Marks at the West Virginia Humanities Council. Read more about that September 8, 2016 concert here: https://wvfolklife.org/2016/10/03/i-think-that-the-women-made-the-folk-songs-phyllis-marks-in-concert/Materials from that concert are available via the Library of Congress/American Folklife Center in the Emily Hilliard collection on West Virginia ballad singer Phyllis Marks: https://catalog.loc.gov/vwebv/search?searchCode=LCCN&searchArg=2017655418&searchType=1&permalink=yRead our tribute to Phyllis Marks on the West Virginia Folklife blog: https://wvfolklife.org/2019/07/02/a-tribute-to-ballad-singer-phyllis-marks-june-51927-june-22-2019/"]

34. State folklorist Emily Hilliard introduces Phyllis Marks at a concert at the West Virginia Humanities Council in Charleston

Identifier:
4224.MarksPhyllis.Photo.002.9.8.16
Title:
State folklorist Emily Hilliard introduces Phyllis Marks at a concert at the West Virginia Humanities Council in Charleston
Date:
2016-09-08
Creator:
Keller, Mike
Subject:
Irish Americans, Ballads, Folk music--West Virginia, Concerts, and Old-time music
Location:
Charleston (W. Va.)
["Phyllis Marks (June 5, 1927-June 22, 2019) was born Phyllis Mariam Frashure on June 5, 1927, in Sand Fork, Gilmer County, WV. According to folklorist Gerry Milnes, Marks was the last active ballad singer in the state who, as she says, learned by heart, via oral transmission, mainly from her mother and grandmother, both of Irish ancestry. Since 1954, Phyllis performed annually at the West Virginia State Folk Festival at Glenville. A fixture at the festival and in her community, the 2005 festival was dedicated to her.Marks was recorded in 1978 for the Library of Congress and has been featured in various books and radio programs. In 1997, she worked with Gerry Milnes to release the Augusta Heritage album Phyllis Marks: Old-Time Songs of West Virginia.In 2016, the West Virginia Folklife Program received a Henry Reed Fund Award from the American Folklife Center at the Library of Congress to host and record a concert with Marks at the West Virginia Humanities Council. Read more about that September 8, 2016 concert here: https://wvfolklife.org/2016/10/03/i-think-that-the-women-made-the-folk-songs-phyllis-marks-in-concert/Materials from that concert are available via the Library of Congress/American Folklife Center in the Emily Hilliard collection on West Virginia ballad singer Phyllis Marks: https://catalog.loc.gov/vwebv/search?searchCode=LCCN&searchArg=2017655418&searchType=1&permalink=yRead our tribute to Phyllis Marks on the West Virginia Folklife blog: https://wvfolklife.org/2019/07/02/a-tribute-to-ballad-singer-phyllis-marks-june-51927-june-22-2019/"]

35. Ballad singer Phyllis Marks performs at the West Virginia Humanities Council in Charleston, 1 of 4

Identifier:
4224.MarksPhyllis.Photo.003.9.8.16
Title:
Ballad singer Phyllis Marks performs at the West Virginia Humanities Council in Charleston, 1 of 4
Date:
2016-09-08
Creator:
Keller, Mike
Subject:
Irish Americans, Folk music--West Virginia, Concerts, Ballads, Storytelling, and Old-time music
Location:
Charleston (W. Va.)
["Phyllis Marks (June 5, 1927-June 22, 2019) was born Phyllis Mariam Frashure on June 5, 1927, in Sand Fork, Gilmer County, WV. According to folklorist Gerry Milnes, Marks was the last active ballad singer in the state who, as she says, learned by heart, via oral transmission, mainly from her mother and grandmother, both of Irish ancestry. Since 1954, Phyllis performed annually at the West Virginia State Folk Festival at Glenville. A fixture at the festival and in her community, the 2005 festival was dedicated to her.Marks was recorded in 1978 for the Library of Congress and has been featured in various books and radio programs. In 1997, she worked with Gerry Milnes to release the Augusta Heritage album Phyllis Marks: Old-Time Songs of West Virginia.In 2016, the West Virginia Folklife Program received a Henry Reed Fund Award from the American Folklife Center at the Library of Congress to host and record a concert with Marks at the West Virginia Humanities Council. Read more about that September 8, 2016 concert here: https://wvfolklife.org/2016/10/03/i-think-that-the-women-made-the-folk-songs-phyllis-marks-in-concert/Materials from that concert are available via the Library of Congress/American Folklife Center in the Emily Hilliard collection on West Virginia ballad singer Phyllis Marks: https://catalog.loc.gov/vwebv/search?searchCode=LCCN&searchArg=2017655418&searchType=1&permalink=yRead our tribute to Phyllis Marks on the West Virginia Folklife blog: https://wvfolklife.org/2019/07/02/a-tribute-to-ballad-singer-phyllis-marks-june-51927-june-22-2019/"]

36. Ballad singer Phyllis Marks performs at the West Virginia Humanities Council in Charleston, 2 of 4

Identifier:
4224.MarksPhyllis.Photo.004.9.8.16
Title:
Ballad singer Phyllis Marks performs at the West Virginia Humanities Council in Charleston, 2 of 4
Date:
2016-09-08
Creator:
Keller, Mike
Subject:
Ballads, Old-time music, Concerts, Irish Americans, and Folk music--West Virginia
Location:
Charleston (W. Va.)