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You searched for: Creator Hilliard, Emily Remove constraint Creator: Hilliard, Emily Format image/tiff Remove constraint Format: image/tiff Location Charleston (W. Va.) Remove constraint Location: Charleston (W. Va.) Source A&M 4224, West Virginia Folklife Program Collection Remove constraint Source: A&M 4224, West Virginia Folklife Program Collection Subject Folk music--West Virginia Remove constraint Subject: Folk music--West Virginia

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["Shirley A. Campbell (March 17,1949-January 10, 2021), a native of Pinch, West Virginia and a resident of Charleston, West Virginia, was a lifelong songwriter and poet. Two of her songs were recorded by Grandpa Jones and Ernest Tubb, respectively. Campbell married into the Reed-Campbell family of the bluegrass musician Ola Belle Reed, who was her mentor. Read Campbells obituary:Shirley A. Campbell, 71, of Charleston, WV, passed away suddenly at home, Sunday, January 10, 2021.Born March 17, 1949, in Pinch, WV, she was the daughter of the late Ruby Francis Jarrett and Jack White.She is survived by her two children, daughter Carlie Campbell of Charleston and son Jeremy Campbell of Elkton, MD; and pets.In addition to her parents, she was preceded in death by her beloved dachshunds, Buckwheat and Alfalfa.Shirley studied at Oklahoma University and Marshall University. She was a nurse for 20 years, a dog groomer for 15 years, and a small business owner for approximately 10 years. She was a woman of endless talents, for many of which she received recognition. She was deeply devoted to animal welfare; throughout her life caring for ANY and ALL that she found in need.There will be a symphony of animal calls greeting her at the gates of heaven; and it will be glorious!As per her request, there will be no services. She asks that, in lieu of flowers, please donate to an animal charity in her honor.You may send condolences to the family at: www.barlowbonsall.com.Barlow Bonsall Funeral Home, Charleston, WV, has been entrusted with the arrangements."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Kim Johnson and Cody Jordan were participants in the 2020-2021 West Virginia Folklife Apprenticeship Program. Kim Johnson, a resident of South Charleston led an apprenticeship in banjo traditions of central West Virginia with apprentice Cody Jordan of Charleston. Johnson began playing with fiddler Wilson Douglas in 1979 and has played with and learned from many acclaimed West Virginia old-time musicians including Frank George and Lester McCumbers. She has taught both locally and nationally, at Augusta Heritage Center, Allegheny Echoes, The Festival of American Fiddle Tunes, and the Berkeley Old-time Music Convention. Jordan plays guitar in The Modock Rounders with Johnson, touring across the state and region, and is looking forward to expanding his knowledge of central West Virginia old-time banjo traditions.See our feature on Johnsons apprenticeship with Jordan here: https://wvfolklife.org/2020/09/04/2020-folklife-apprenticeship-feature-kim-johnson-cody-jordan-banjo-traditions-of-central-west-virginia/The West Virginia Folklife Apprenticeship Program offers up to a $3,000 stipend to West Virginia master traditional artists or tradition bearers working with qualified apprentices on a year-long in-depth apprenticeship in their cultural expression or traditional art form. These apprenticeships aim to facilitate the transmission of techniques and artistry of the forms, as well as their histories and traditions.The apprenticeship program grants are administered by the West Virginia Folklife Program at the West Virginia Humanities Council in Charleston and are supported in part by an Art Works grant from the National Endowment for the Arts. West Virginia Folklife is dedicated to the documentation, preservation, presentation, and support of West Virginias vibrant cultural heritage and living traditions."]
["Phyllis Marks (June 5, 1927-June 22, 2019) was born Phyllis Mariam Frashure on June 5, 1927, in Sand Fork, Gilmer County, WV. According to folklorist Gerry Milnes, Marks was the last active ballad singer in the state who, as she says, learned by heart, via oral transmission, mainly from her mother and grandmother, both of Irish ancestry. Since 1954, Phyllis performed annually at the West Virginia State Folk Festival at Glenville. A fixture at the festival and in her community, the 2005 festival was dedicated to her.Marks was recorded in 1978 for the Library of Congress and has been featured in various books and radio programs. In 1997, she worked with Gerry Milnes to release the Augusta Heritage album Phyllis Marks: Old-Time Songs of West Virginia.In 2016, the West Virginia Folklife Program received a Henry Reed Fund Award from the American Folklife Center at the Library of Congress to host and record a concert with Marks at the West Virginia Humanities Council. Read more about that September 8, 2016 concert here: https://wvfolklife.org/2016/10/03/i-think-that-the-women-made-the-folk-songs-phyllis-marks-in-concert/Materials from that concert are available via the Library of Congress/American Folklife Center in the Emily Hilliard collection on West Virginia ballad singer Phyllis Marks: https://catalog.loc.gov/vwebv/search?searchCode=LCCN&searchArg=2017655418&searchType=1&permalink=yRead our tribute to Phyllis Marks on the West Virginia Folklife blog: https://wvfolklife.org/2019/07/02/a-tribute-to-ballad-singer-phyllis-marks-june-51927-june-22-2019/"]